Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Sandra Bullock Making Gravity was the best life decision I ever made

Post Thumbnail

For most women, taking the opportunity to be tethered to George Clooney would be a no-brainer.

But Sandra Bullock, who is attached to George for much of the first half of new film Gravity, admits she had to be coaxed into making what she now regards as: “The best life decision I think I ever made”.

The actress had been on sabbatical following her 2010 Oscar win for The Blind Side. The high point of her professional career was quickly followed by a low in her personal life, as it was revealed husband Jesse James was a serial love cheat.

Their subsequent divorce, and Sandra’s adoption of baby son Louis, now aged three, has meant she’s been more than happy to stay out of the limelight for the last couple of years.

But when Harry Potter and the Prisoner of Azkaban director Alfonso Cuaron approached her with a sci-fi script he’d written with his son Jonas, Sandra found Gravity’s pull hard to resist.

“I was always longing to do, emotionally and physically, what my male counterparts always got to do,” said Sandra, who was in the UK last month to showcase the film at the London Film Festival.

“I just felt envious because every time I saw a movie that I was in awe of, it was usually a male lead. In the last couple of years, whether it was by us searching for something and turning it into a female character, or actresses developing something themselves, things have shifted. And Jonas and Alfonso wrote this specifically for a woman.

“I think it was the integral part of the story. I don’t want to say that’s revolutionary, but it is revolutionary, and the fact that a studio, on blind faith, would fund something as unknown as this is also revolutionary.

“So, to be able to be the person to do it is beyond humbling.”

Sandra plays Dr Ryan Stone, a medical engineer and rookie astronaut on a shuttle mission being led by veteran Matt Kowalski (Clooney). When a routine repair task turns into a full-scale disaster, the pair find themselves cut off from communicating with Earth and spiralling in their space suits into the terrifying blackness of space.

But beyond the story premise is the 3-D film’s technological achievement, which gives audiences a thrill ride that’s the closest most of us will come to experiencing what life is like for astronauts in space.

Even Sandra admits she was awestruck by the finished film.

“When you’re an actor, seeing yourself for the first time, you spend all your time just watching yourself and hating yourself and picking your performance apart. You say, ‘I look horrible. I should quit’,” the 49-year-old joked.

“But, there was no time to pick apart one’s performance here because you were inundated with the extreme beauty and emotion that Alfonso created, visually.

“Technology is something that’s heady, but it was turned into something so emotional, such a visceral, physical experience, in this movie. All of a sudden you find yourself affected in ways you weren’t planning on being affected. George and I had the same reaction to seeing it for the first time. We both went ‘wow!’

“I felt lucky to finally be able to view a movie I was in as it was supposed to be viewed, as a newcomer.”

Much of the film was shot inside a 9-foot-by-9-foot box with the actors suspended by cables to create the illusion of weightlessness. Sandra’s performance has led to talk of a second Oscar but the self-effacing actress says winning the first still hasn’t sunk in.

“I think most people have that out-of-body experience when they win the Oscar.

“I had a little newborn at home, so my body was already out of itself, so I still haven’t gotten around to having my moment with it yet.

“Maybe one day it will come,” she said. “I didn’t feel worthy of it when I got it. So I thought, OK, I’m going to spend the rest of my life hopefully earning it but having a really good time in the process.”

Gravity is one small step for woman heading in the right direction.