Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

They ain’t nuthin’ like a dame but I am: Panto legend Allan Stewart on his stage secrets

Allan Stewart in character as a panto dame
Allan Stewart in character as a panto dame

He is one of Scotland’s longest serving pantomime stars, but Allan Stewart has revealed he never wanted to appear in panto.

The variety veteran is marking 30 years at the King’s pantomime in Edinburgh this Christmas, and first appeared in the seasonal stage show 44 years ago – much to his chagrin.

“I did my first panto in 1975 at the Pavilion, by which point my TV series had been running for about three years,” Allan explained. “I had never seen a panto. I wasn’t a theatre person, I was always involved in the clubs.

“It wasn’t something I liked and I didn’t want to be a part of it, but they made me an offer I couldn’t refuse.

“I didn’t know any of the old panto traditions, so I went in with my own modern take and at first the producer and director balked at it.

“They said ‘we do it this way’ and I told them I didn’t want to do it that way, I thought it was old fashioned, so I changed the face of panto at that time in Glasgow, where we did three incredibly successful years.”

But Allan did also learn from the masters, which was invaluable when he eventually became a dame in 1997.

“I went abroad to work for a few years and then came back in 1982, touring round the English pantos. I worked with Les Dawson in Southampton and he had one of the best dames.

“I think of my dame as a woman – she acts and talks like a woman – whereas a lot of English dames are just men in frocks. Les was the great example of that – he would put a little red on his nose and then walk on stage with that voice.

“He was just brilliant. I learned how to time dame gags from watching him.

“But the person who taught me more than anyone was Jack Milroy, who played the part while I was at the Pavilion. He was a lovely man and I have a lot to thank him for.”

Panto star Allan Stewart

Allan is about to celebrate a number of landmarks – as well as his 30th year at the King’s panto, he’ll mark 60 years in the business next March with a big variety show and celebrates his 70th birthday in the summer.

Despite performing since he was 10, the comedian, from Coatbridge, says he’ll never stop. “When you reach a certain age, people ask when you’re thinking of retiring. Well, I’m not,” he said. “My ambition is to be on stage and slide down the curtain like Tommy Cooper, to go out on the roar of a big laugh and let them carry me off. That’s the way I want to finish.

“A week or two after Tommy died, I started in a series called Go For It alongside Les Dennis and Dustin Gee, who had both performed that night , and at the press call it was what everyone was asking about.”

Allan will once again star alongside Grant Stott and Andy Gray, now in remission from cancer after missing last year’s run, in one of Scotland’s most popular pantos.

Allan said: “I remember when I did my first year here in 1989, my manager told me they wanted to sign me for three years and I thought that was stupid, but he explained it gave me security and they have continued to sign me. I’m very humbled by that.

“The three of us know each other so well and like to wind each other up. I think in Scottish pantos, the audiences like to have this homely relationship with the cast and we’ve created that in Edinburgh.”

Dad-of-two Allan, whose son David and daughter Kate are also in the business, has a wealth of memories to look back on at the King’s panto, including carrying his new-born son on to the stage while dressed as a robber in 1989.

But it’s a memory from last year that stands out above the rest.

“We didn’t have Andy in the show last year because he had cancer, but on the final Saturday he was well enough to come along and we brought him up on stage. He was looking very frail but the audience kept cheering. We went back to the dressing room where the three of us cuddled and cried.

“It was a touching moment and to have him back this year is great.”

From being a fixture on TV throughout the 70s and 80s, small-screen appearances are now rare for Allan these days.

“I’m not part of that world but it isn’t something I miss, because I’ve never stopped working,” he said. “But I’m very happy with my career and I love being on stage. That’s where I’m happiest.”

Goldilocks And The Three Bears runs from Saturday until Jan 19 at King’s, Edinburgh, where Allan’s Big Big Variety Show is on in March

 

Now take my word for it

Allan has written his own material for years – now he’s taking a foray into books.

The Wee Book Company is publishing his first collection, Dear Aunty May, just in time for panto season starting.

“I came up with the character after watching Jack Milroy as a dame and then I put her in one of my TV series in the 70s,” he said. “I found I could get away with gags as Aunty May that I couldn’t as myself. I came up with a problem page and Aunty May responds.

“My dad used to write a lot of material for me. I didn’t think I could do it, but when he died, I believe he passed it on to me. I’ve a lot to thank my dad for.”