Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Remembering Stephen Lawrence: The dogged work of one detective is worth remembering in case that should never be forgotten

© PAStephen Lawrence.
Stephen Lawrence.

The name of Stephen Lawrence is one of the most familiar in modern British history.

No one can be unaware of how the black teenager was murdered by a gang of racists in 1993, and how his courageous and indomitable parents, Doreen and Neville, fought for justice as police investigations slowed and stalled, again and again.

But Clive Driscoll? His name is not so familiar. He is the old-school London detective who finally brought two of Stephen’s killers to justice and I was delighted to learn ITV were dramatising his investigation.

The final episode of Stephen airs tomorrow with Steve Coogan playing the gravel-voiced, hard-bitten Driscoll.

Much of my career has been spent investigating racism in the police and much of that work has, one way or another, revolved around the death of Stephen Lawrence and the repeated and abject failures of Metropolitan Police to properly investigate the murder and deliver justice to Stephen’s family.

Those failures led to the inquiry by Sir William MacPherson in 1998 when, in a watershed moment for UK race relations, the recently-retired high court judge, a meticulous Scot, concluded the action and inaction of the Met was due to institutional racism. That damning epithet has coloured the perception of UK policing ever since.

MacPherson’s report was the inspiration for the BBC’s Secret Policeman investigation, when I spent eight months undercover as a recruit to expose racism in Greater Manchester Police, when I encountered virulent, general racism in the ranks along with a nasty and specific antipathy towards the Lawrence family prompted, apparently, by how their fight for justice was impacting on the image of policing.

One of my colleagues, PC Rob Pulling, was filmed cutting holes in a pillow slip and aping a Ku Klux Klansman after making a series of obscenely offensive remarks about the Lawrences. He was, along with another nine officers, drummed out of the force after the broadcast of our film in 2003.

Two years later, I started investigating the murder of Stephen. The case was then officially dormant, after a number of reviews and reinvestigations had failed to yield enough new evidence.

© SYSTEM
Sharlene Whyte as Doreen Lawrence.

Our investigation, The Boys Who Killed Stephen Lawrence, revealed a number of new leads, drove a bus through the alibis of the prime suspects and seemed to focus the minds of the Met.

Fortuitously, our film came just as Driscoll started to take an interest, so when he asked to meet, I was delighted. Our film pointed the finger firmly at the chief suspects, but that’s as far as we could go. This needed a complete reinvestigation and Clive said he was the man to do it. I believed him.

When we met he wanted to talk about how we had dramatised Stephen’s attack. For our film, we tried to recreate what happened as accurately as possible.

We had seen statements that revealed the attack on Stephen had been sustained and brutal, lasting up to 25 seconds, and that’s how we portrayed it in the film.

Driscoll was obsessed by this, and wanted to know more about why we had done it. He was convinced such a sustained attack must have left a forensic trace and that was what would provide the breakthrough.

He ordered a complete forensic review, by a new team of independent scientists and they discovered a drop of Stephen’s blood on a jacket belonging to Gary Dobson, and other fibres linked to David Norris.

It was enough to take two of the five chief suspects to trial. I remember sitting in the Old Bailey watching it unfold, and ITV’s Stephen has captured the drama of it but also the justice in it, the feeling that finally there had been, however late, however partial, an accounting for the wrong that had been done, the terrible crime that had been committed.

Coogan captures Driscoll, this understated but driven detective as he chases down every lead, while managing to keep the grieving Lawrences on side.

They, naturally, feared being let down by the Met once again, and were at first unsure whether to trust anyone with a badge. He won them over, and delivered on his promise not to rest until justice was done.

Dobson and Norris were found guilty and sentenced to life in 2012 when Driscoll was commended by the judge, who urged him to continue his investigations into the other suspects.

That would not happen and, having served 32 years, he was told his service was no longer required.He believes he was effectively forced into retirement.

The investigation was given to another detective but no more progress was made and the case is again dormant. At least three of Stephen’s killers are yet to be convicted. This troubles Driscoll, and, I suspect, always will.

A humble man, he is a little mortified at this latest brush with fame but those of us with some knowledge of the case, and that is, in truth, all of us, should be glad he is being given this attention and acclaim.

The work of DCI Driscoll is worth remembering in this atrocious case that should never be forgotten.