Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Rare colour pictures of World War II feature in new book

Auxiliary Territorial Service (ATS) plotters at work at Coastal Artillery Headquarters in Dover, December 1942 (Ted Dearberg/IWM/PA Wire)
Auxiliary Territorial Service (ATS) plotters at work at Coastal Artillery Headquarters in Dover, December 1942 (Ted Dearberg/IWM/PA Wire)

 

AN extraordinary collection of rare colour photographs reveal the Second World War as the people living through the conflict would have seen it.

Private Alfred Campin of the 6th Battalion, Durham Light Infantry during battle training in Britain, March 194 (Ted Dearberg/IWM/PA Wire)
Private Alfred Campin of the 6th Battalion, Durham Light Infantry during battle training in Britain, March 194 (Ted Dearberg/IWM/PA Wire)

A new book from the Imperial War Museums (IWM) includes rarely seen colour images taken by official photographers, as well as news agencies, freelancers and even air crews, many of which are being published for the first time.

Lieutenant Vernon R Richards of the 361st Fighter Group fliying his P-51D Mustang during a bomber escort mission in 1944 (IWM/PA Wire)
Lieutenant Vernon R Richards of the 361st Fighter Group fliying his P-51D Mustang during a bomber escort mission in 1944 (IWM/PA Wire)

The scarcity of colour film and the high cost of reproducing it in printed publications during the Second World War means that for most people today the war is a black and white conflict.

But the photographs in the book, The Second World War in Colour, bring it vividly to life with images that look as if they were taken yesterday – or come from a film set.

Crowds celebrating VE Day near the Cenotaph in Whitehall, 8 May 194 (Ted Dearberg/IWM/PA Wire)
Crowds celebrating VE Day near the Cenotaph in Whitehall, 8 May 194 (Ted Dearberg/IWM/PA Wire)

They range from the Women’s Auxiliary Air Force preparing parachutes for use during the invasion of Europe to shots of troops in training, stationed in Italy and Tunisia, and sightseeing in Greece.

There are images of General Dwight D Eisenhower and his senior commanders at Supreme Allied Headquarters in London in February 1944 and Winston Churchill and his chiefs of staff in the garden at Downing Street in May 1945.

B-17F Flying Fortress ‘Mary Ruth - Memories of Mobile’ of the 91st Bomb Group, US Eighth Air Force, on a mission to attack the U-boat pens at Lorient, May 1943 (IWM/PA Wire)
B-17F Flying Fortress ‘Mary Ruth – Memories of Mobile’ of the 91st Bomb Group, US Eighth Air Force, on a mission to attack the U-boat pens at Lorient, May 1943 (IWM/PA Wire)

They reveal life on the Home Front, with pictures of bombed out buildings, evacuee children and wounded airmen in their “hospital blues” alongside factories and female plane spotters.

Images portray the fighting fronts, with rare photography of flamethrower tanks in action, Mustangs and Spitfires in flight and the RAF’s top-scoring fighter pilot, Wing Commander ‘Johnnie’ Johnson, with his pet dog Sally.

Wing Commander James ‘Johnnie’ Johnson (IWM/PA Wire)
Wing Commander James ‘Johnnie’ Johnson (IWM/PA Wire)

No colour film was supplied to British official photographers to document the D-Day landings.

But there are colour pictures of the last months of the war in Europe, including Dutch celebrations after the liberation of Eindhoven, and an image of the spontaneous celebrations of VE Day in Whitehall, central London.

The Ministry of Information, which controlled output of material to the press during the war, wanted to obtain colour photographs as a record and for inclusion in publications which could print in colour.

A crew from the 16th/5th Lancers, 6th Armoured Division, cleaning the gun barrel of their Crusader tank at El Aroussa in Tunisia, May 1943 (Ted Dearberg/IWM/PA Wire)
A crew from the 16th/5th Lancers, 6th Armoured Division, cleaning the gun barrel of their Crusader tank at El Aroussa in Tunisia, May 1943 (Ted Dearberg/IWM/PA Wire)

Some 3,000 colour pictures were taken between 1942 and 1945, and those that survived were passed to the IWM in 1949.

All of the photographs in the book come from the IWM photograph archive, and most were taken by a band of British official photographers, while the ministry also sourced colour images from agencies and freelancers.

British paratroopers preparing for a practice jump from an RAF Dakota based at Down Ampney in Wiltshire, 22 April 1944 (Ted Dearberg/IWM/PA Wire)
British paratroopers preparing for a practice jump from an RAF Dakota based at Down Ampney in Wiltshire, 22 April 1944 (Ted Dearberg/IWM/PA Wire)

There are also pictures from German and American sources, including US aircrew.

Author and senior curator at IWM, Ian Carter said: “The images in this book show the vivid hues of the flames and fabrics, the intense blue skies, the sun-tanned faces and the myriad of colours of military camouflage.

An Air Raid Precautions (ARP) warden inspecting damaged buildings in Holborn, London (Ted Dearberg/IWM/PA Wire)
An Air Raid Precautions (ARP) warden inspecting damaged buildings in Holborn, London (Ted Dearberg/IWM/PA Wire)

“Black and white photography puts a barrier between the subject and the viewer, colour photography restores that missing clarity and impact.

“As the most destructive war in history gradually fades from living memory, it becomes more important to take away the remoteness and bring the Second World War to life.”