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Earth, Wind & Fire still in
Boogie Wonderland
By Kevin Bridges
Earth, Wind & Fire are one of the most successful R&B acts in music history.
They formed in 1969 but hit their musical peak in the late ’70s and have sold more than 90 million albums.
Their unique mix of funky soul and slinky ballads on hits such as
Boogie Wonderland, September and After The Love Has Gone
still sounds potent today.
The band have just released a brand new compilation of all their classics —
Earth, Wind & Fire — The Greatest Hits.
Incognito
Pinning down lead singer Philip Bailey isn’t easy , as the band like to travel incognito, so I had to explain to a bemused receptionist in a Rome hotel that I was trying to speak to a Mr Buck Rogers!
However, once located, Philip admitted that he’s proud of the band’s continuing huge success.
The group had an unparalleled period in the late ’70s when it seemed they could do no wrong.
“It was all a bit surreal at the time,” Philip told me. “It felt like winning the Superbowl or the World Cup every day. It was a whirlwind of activity for about
10 years.
“We were so young we took it for granted. Now we’re able to enjoy the fruits of our labours.”
The band’s music hasn’t really dated at all — still sounding fresh and vibrant — and is attracting new generations all the time.
“We have four generations at our shows these days. We hear bits of our music sampled too.”
Classics
The band are in the middle of a European tour but Philip insists they don’t get tired of singing their classics. “The audience helps us get inspired each night.
“Mind you, there are songs we’ve sung so many times we could probably still do them in our sleep!” he laughed.
Two of their best known songs are the disco classic hit Boogie Wonderland
and the ballad After The Love Has Gone. Philip told me about them.
“Boogie Wonderland was at the height of the disco era for sure but we still managed to do it in our style. When we do it now we do a sort of house beat to it.”
Despite being a slushy ballad, perfect for romantic slow dancing, the lyrics of
After The Love Has Gone are all about the end of love.
“I think that’s one of the reasons it’s done so well,” Philip said. “Even if someone has never had their heart broken, they probably know someone who has.”
The band are famous for their lavish stage productions but Philip said things often go wrong.
“Just about everything that can go wrong has gone wrong at some stage. That’s when professionalism kicks in. If the lights don’t work, you can still sing. You only have a problem if everything doesn’t work!” he laughed.”
Phil Collins
One of Philip’s biggest hits was Easy Lover, which he sang with Phil Collins in 1985, but he doesn’t sing it much these days, nor is it on the new album. I asked why.
“There are so many Earth, Wind & Fire songs there just isn’t room. I was able to sing it with Phil a few weeks ago at a writers’ award ceremony in the States.”
Along with Philip the other leader of Earth, Wind & Fire was Maurice White, who sadly can’t perform with the band any longer as he sufferers from Parkinson’s disease. But his brother Verdine still tours with the band.
“It’s probably been 20 years since Maurice has been able to tour with us, but you can’t play Earth, Wind & Fire songs without him being there in spirit,” Philip said.
If you don’t already own the songs, buy the album to transport you into boogie wonderland.
For
more about the band go to their official website at www.earthwindandfire.com
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Lissie
Album — Catching A Tiger
Key track — Everywhere I Go
Californian
singer-songwriter Lissie Maurus has come up with an interesting debut album.
There’s a raw, live feel to much of it and some of the tracks could do with some editing and polishing but when she reins herself in, as on this stunning track, the power of her voice shows through. A bright future beckons. |
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Kula:Shaker
Album — Pilgrims Progress
Key track — To Wait Till I Come
Mostly dismissed as a Britpop casualty, this band, fronted by Crispian Mills (son of Hayley), re-formed four years ago for a second bite at the cherry.
With an album this good it’s a shame they’re likely
to remain in the shadows. Great songs and strong musicianship abound on it and this mid-tempo melodic masterpiece is a real highlight. |
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Robyn
Album — Body Talk Pt. 1
Key track — Dancing On My Own
When Swedish dance act Robyn announced she was releasing three albums this year it was easy to see it as a marketing ploy.
On the evidence of this, that seems about right.
It’s a mini-album of six songs, of which two are throwaway fillers, but this standout single is as near to perfect dance-pop as you’ll ever find — thrilling and fun. |
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Detroit Social Club
Album — Existence
Key track — Northern Man
Newcastle-based
Detroit Social Club lay claim here to being Britain’s next great rock band with a quality album of good no-nonsense rock with nods to Oasis and The Verve.
This standout track sounds like The Verve at their very best and could become a stadium favourite. |
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Stornoway
Album — Beachcomber’s Windowsill
Key track — Zorbing
Despite their name this band come from Oxford and are being hailed as the next British folk heroes.
Sadly this album is a little too patchy and ragged in places, but when it all comes together, as on this opening track, there’s a purity and beauty in the singing that bodes well
for the future. |
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Tom Jones
Praise & Blame
(Island)
You
wouldn’t imagine the new album by Sir Tom Jones, released tomorrow, would be the centre of controversy. But a leaked memo from his new label revealed some there were expecting it to contain pulsating pop in the vein of
Sex Bomb. What he’s delivered instead is a powerful collection steeped in vintage gospel and blues.
Some of the arrangements are very sparse, while elsewhere there’s some rousing rockabilly and boogie woogie piano as well as some great guitar riffing.
On some of the softer, more emotive, songs the great voice sounds fragile and haunted, but when he really lets rip you can see why he’s renowned as having one of the loudest voices around.
This is an intriguing and surprisingly enjoyable album. It is perhaps more of a pure artistic statement rather than a blatant attempt to get a hit, but it’s all the more honest and welcome for that. It’s easy to see who to praise.
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